Nadje Noordhuis

3A/4A Clinician

Based in New York for over twenty years, Nadje Noordhuis specializes in teaching, writing, and performing across genres including jazz, classical, rock, pop, global, and Irish folk. She was a semi-finalist in the 2007 Thelonious Monk International Jazz Trumpet Competition and the 2010 National Jazz Awards in Australia, and a Carnegie Hall Young Artist in 2010. Nadje has played on two GRAMMY-winning recordings, and seven GRAMMY-nominated albums. She regularly tours with the Maria Schneider Orchestra, Darcy James Argue’s Secret Society, Anat Cohen Tentet, Matt Wilson’s Honey and Salt, and the Mark Morris Dance Group, and is a member of the electro-acoustic new music trumpet ensemble, Fifth Bridge. Nadje has written commissions for a diverse range of groups including the legendary British brass institution Grimethorpe Colliery Band, modern classical string and brass ensembles, in addition to pieces for solo trumpet + fixed media.

Nadje has released four albums of original compositions featuring her quintet and duo projects through her Little Mystery Records label, as well as two vinyl releases through Newvelle Records. Her atmospheric album inspired by world travels, Gullfoss (2018) was recorded live in Switzerland, featuring a lineup of trumpet with effects, celtic harp, guitar, bass and percussion. Her 2015 contemplative neo-classical album with pianist Luke Howard, Ten Sails, currently has over 17 million digital streams. Her melodic jazz quartet album, Full Circle, featuring pianist Fred Hersch, was Textura music review's #2 Jazz album of 2022. Her 2023 electro-acoustic duo record with vibraphonist/synthesist James Shipp, Multitudes, embraced new mechanisms for development with extensive editing and layering.

Nadja has taught at Manhattan School of Music, Hunter College, Berklee College of Music, Sydney Conservatorium, and now serves on the faculty at Lawrence University in Appleton, Wisconsin. She serves on the Board of Directors of the International Trumpet Guild and the Festival of New Trumpet Music (FONT) and manages the Laurie Frink Career Grant and the Laurie Frink Brass Summit. She is currently undertaking postgraduate research into the teaching philosophies of Laurie Frink and her mentor Carmine Caruso.